Saturday, 25 October 2014

How do you like these mushrooms?

My garden seems to be in mushroom mode:
Enter a normal mushroom ...

And, then a little button mushroom, probably a puff ball.

Now what is this? 
Each part is larger than a dinner plate ... living under a fir tree!
 17 " across ...
Anyone know what it is?
My friend Pierre, a chef, identified my mushrooms: 
Giant Funnel Cap, Latin: Leucopaxillus Giganteus
Apparently, it is edible ... although it might cause digestive upsets.

This tiny mushroom was growing nearby ...

Saturday, 30 August 2014

Indigo dyeing at La Conner

The La Conner Quilt and Textile Museum sponsored a workshop on Indigo Dyesorganized by Susan Riedel and led by Ako Shimozato and her helpers. They did a marvelous job of explaining the process and leading 15 participants through the magic of indigo.

Here are photos of my work:
a small piece of cotton with running stitch
a light silk (worked in double layer ... with wraps on buttons
Two silk scarves:
1. rolled on a cylinder with string.
2. wrapped on the ends around a pine cone at the ends and a slat of wood in the middle. Note this was crepe silk and took the dye much darker.

I folded the scarf in half and began rolling from the fold ... making the center a little lightr.

This was my last piece ... light silk lining rescued from an old dress. It was done on the diagonal over a water bottle with elastics put on randomly.
I really enjoyed the workshop and the results!
More information:

La Conner Quilt and Textile Museum - Japanese Quilt Shows

These shows are exceptional shows ... if you can get there before October 5th, don't miss them!

What more can I say, one show is extraordinary, the other is remarkable ... see for yourself! The expert colour value and design in these quilts will have you staring in amazement!      (no photos were allowed)

Saturday, 2 August 2014

Playtime ... dyeing flat

I spent a day with a dear friend ... playing ...
This is actually not as bright ... it is amazing how the digital cameras can see more colour than our eyes.
I used up bits of white fabrics. I think this was cotton and spandex.
The photo doesn't do this justice. It is about 12" by 40". It is a fine china silk and was wet before spraying dye on. I pushed folds in the fabric to make it about half the actual length and dried it that way. I think it was a scarf blank ... it has selvage on both sides.
This was a cotton - pinned to a board and I dripped dye down the surface.  I did this on dry fabric and at first it sat as beads, as I dripped more dye, it sank in more.
This is my favorite ...happy white daisies! It is on wet white cotton. I made the centers by wrapping elastics around a circular object and arranging the fabric in folds ... then sprayed the dye on.
We used procion dyes in a liquid form with urea. The cotton fabrics had been treated with soda ash. We used stryofoam boards with plastic taped on, then used a slightly larger piece of plastic, added our fabric and dyed it. To dry, we layered another piece of fabric and slid the 'sandwich' off the board and set in the sun to dry.

There were also some pieces I thought were silk and turned out to be synthetic. Most of the dye washed out. An easy test I should have done is to burn a small piece. Natural fibres form a black/grey ash and synthetics melt to form hard brown beads. I have some transfer dye papers ... think I'll try those and see what happens.

Here is an example of the transfer dyes used on an ipad cover that was pearl grey with an assortment of coffee stains, etc.

Here is a link describing how to work with transfer dyes.

So many fun techniques to work with and so little time!

Thursday, 31 July 2014

Douglas Coupland, Vancouver Art Gallery

Coupland collected items - commercial and part of our daily life.
Surprisingly, he made quilts. The holes are 'spirit catchers'.
This quilt included hubcaps.

This interested me because it reminded me of modern quilts.
The central object depicts the ice storm in Quebec 
where electrical towers toppled over.
Coupland abstracted several well known artists. 
This one: Scorned as Timber, Beloved of the Sky by Emily Car
As a child, he was fascinated with lego. 
This is his first set - replicated many times.
and, more complex 'totems'
There was a room of signs ... social and intellectual statements. 
This interested me because I was a teacher!

Coupland was fascinated by technology and images.

This needed a camera phone to see the image.
He did a series of photos with the face obliterated by paint.
These reminded me of the adolescents whose brains turn to mush in the time between childhood and what society calls maturity.
This large collection was like looking into a brain ... with all the images we store.
The view from the restaurant at the Art Gallery. 
They now call Vancouver 'the glass city'.
Food is good!

I had little knowledge of Coupland's art, I had seen some items over time. This exhibit shows an artist who works in a wide variety of mediums ... reacting to the world around him. It was almost like looking inside his brain ... with all its complexity! 
Photography was encouraged.

Wednesday, 9 July 2014

FAN 2014 - On the Wind

Our current show will be opening in August:

Abstracted in St Catharines, 2014 NJS

Abstracted was shown concurrently with the Canadian Quilt Association/ACC National Juried Show, in St. Catharines, Ontairo, June 2014. In four days, we had over 1,500 visitors, not including those who returned with friends.
The intent of our show is an exploration of how a representative theme can be continued in abstract.

You can view the entire exhibit with artist statements:

Our show ...

Thelma and my husband ... looking after admissions.

Some comments from our visitors ...

Photos of visitors to the show:
and this was when it was quiet enough for me to take photos!

The space was the entry to a theater and worked very well. 
Great lighting and center benches for weary feet.
Note: The Abstracted show is available for galleries through 2016.
Please leave a comment if you would like more information.
Visit our website to see past exhibits and personal galleries of the artists.